{"id":10000005,"date":"2017-12-18T15:40:30","date_gmt":"2017-12-18T14:40:30","guid":{"rendered":"http:\/\/thesignmoak.com\/?p=10000005"},"modified":"2017-12-22T13:15:45","modified_gmt":"2017-12-22T12:15:45","slug":"fuoco-moak-2017","status":"publish","type":"post","link":"https:\/\/thesignmoak.com\/en\/fuoco-moak-2017\/","title":{"rendered":"Fuori Fuoco Moak 2017"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The participants of Fuori Fuoco Moak, fourth edition of the international photography contest promoted by Caff\u00e8 Moak, will narrate coffee through pictures. Those who take part are asked not only to properly use their camera, but also to grasp their feelings and turn them into inputs to build a photo feature with just three pictures. As the name of the contest actually says, Fuori Fuoco invites to capture looks, landscapes and people \u2013 even if out of focus \u2013 without clearly representing coffee, but using it as central idea. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The snapshots will be evaluated by an accurate panel of judges presided over by <strong>Laura Serani<\/strong>. Laura lives in Paris, where she has been \u201cPr\u00e9sidente du Jury\u201d at the Prix R\u00e9sidence pour la Photographie de la Fondation des Treilles \u2013 director of the panel for photography at the Fondation Les Treilles \u2013 since 2015. She has also been an artist representative of the Mois de la Photo in Paris and director of the Galeries Photo et num\u00e9riques as well as of the photo collection of Fnac in Europe, Brazil and Taiwan. She wrote several books (<em>among others<\/em>, La fotografia tra storia e poesia [<em>Photography between history and poetry<\/em>]) and cooperated with different cultural organisations, such as la Maison Europ\u00e9enne de la Photographie, l\u2019Institut Italien de culture in Paris and the MAMM (<em>Multimedia Art Museum in Moscow<\/em>).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The other judges of the panel: a second woman, <strong>Alberta Cucci<\/strong>a, former photo editor of <strong>Casamica<\/strong>, bimonthly insert magazine of <em>Il Corriere della Sera<\/em> and currently photo editor for Rolling Stones Italy. Then, there is copywriter <strong>Vincenzo Vigo<\/strong>, who has been creative director for several famous Italian and international agencies, such as Armando Testa. He created some successful campaigns and formats: \u201c<em>Denghiu<\/em>\u201d with Aldo Biscardi for De Agostini, \u201c<em>The Jumper<\/em>\u201d for Sammontana, Lottomatica \u201c<em>La nuova smorfia<\/em>\u201d, and BMW \u201cNew York\u201d. Photographer and journalist <strong>Maurizio Riccardi<\/strong> from Rome will also choose the winners of the 2017 edition. He is the founder and director of the AGRPress Group. He comes from an artistic family (<em>his father was the famous photographer of \u201cLa Dolce Vita\u201d<\/em>), and cooperates with the most important Italian press agencies in the photography industry, including Asca, Ansa, and AdnKronos. Marco Lentini, art director of for[me]moak (Moak\u2019s in-house advertising agency) and Aiap member (Italian Association of Visual Communication Design) will be judging the snapshots by considering them as communication tools.\u00a0\u00a0<\/span><span style=\"font-weight: 400;\">The Fuori Fuoco panel will select five finalists that will compete for a place on the podium on November 18<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> \u2013 day in which the three winners will be revealed.<\/span><\/p>\n\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The participants of Fuori Fuoco Moak, fourth edition of the international photography contest promoted by Caff\u00e8 Moak, will [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":9999599,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[28],"tags":[50],"_links":{"self":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts\/10000005"}],"collection":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/comments?post=10000005"}],"version-history":[{"count":3,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts\/10000005\/revisions"}],"predecessor-version":[{"id":10000059,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts\/10000005\/revisions\/10000059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/media\/9999599"}],"wp:attachment":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/media?parent=10000005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/categories?post=10000005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/tags?post=10000005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}