whom Modica has been paying homage to in the last five editions, was also invited on the stage. The ten choses stories will be published in the anthology \u201cStories about coffee\u201d. \u201cJust like writing, even photography \u2013 mentioned Master Denis Curti, president of the Fuori Fuoco panel, in his in- tervention \u2013 is able to narrate the world and build memory, showing us what we cannot perceive with the eyes\u201d. Next to him an excellent Fuori Fuoco panel of judges: photog- rapher of Contrasto Massimo Siragusa, Ginette Caron (graphic designer and Aiap member), Marco Lentini, Caff\u00e8 Moak graphic designer, and Tony Gentile (author of the fa- mous picture of Falcone-Borsellino) of the Reuters agency. The portfolios of the winning Fuori Fuoco works will be published on the national review \u201cIl Fotografo\u201d and spread by Caff\u00e8 Moak through exhibitions and ad campaigns all over the world.<\/p>\n
Guests of the evening also Andrea Bartoli and Florinda Saieva of\u00a0Farm Cultural Park<\/b>. To celebrate the rela- tionship between Moak and Farm, and the \u201cInternational Children\u2019s Day\u201d, Best Friends was set up for the occasion, in cooperation with Fatboy: a family of giant poodles to promote a fund-raising collection the creation of a Farm Children\u2019s Museum.<\/p>\n <\/p>\n Caff\u00e8 Letterario Moak<\/strong><\/p>\n \u201cWriting always means hiding something in such a way that it then is discovered<\/i>\u201d (Italo Calvino)<\/p>\n 1\u00b0 PLACE Come nascono gli imperi (How empires arise)<\/strong><\/p>\n by Ilaria Maria Calafiore<\/p>\n Motivation:\u00a0\u201cfor the author\u2019s ability to use the topic of coffee turning it into the story\u2019s narrative key. An epis- tolary love story with a unique orchestration of voices, space and time. Where whites, meaning what is not said, weigh as much as the black ones\u201d.<\/i><\/p>\n 2\u00b0 PLACE<\/span>\u00a0 Elide e Arturo, Caff\u00e8 in fabbrica (Elide and Arturo, Coffee in the factory<\/span>)<\/strong><\/p>\n by Daniela Grandinetti<\/p>\n Motivation:\u00a0\u201cTopical, without pietism, narrating an actu- al happening with good ability of observing feelings of a relationship thrown into crisis by the closure of a factory that changes their lives\u201d.<\/i><\/p>\n 3\u00b0 PLACE and WINNER OF THE BELGIORNO AWARD<\/span><\/p>\n Conforti politici (Political comforts)<\/strong><\/p>\n by Roberto Gerace<\/p>\n Motivation:\u00a0\u201cStory of strong expressive impact set within a Sicilian coffee shop, where a variety of characters con- fronts each other through a series of funny ideas, enriched by literary quotes. A successful linguistic experiment.\u201d<\/i><\/p>\n Song suggested to read this article: Di Roccia – VeiveCura<\/span><\/a><\/p>\n Fuori Fuoco Moak<\/strong><\/p>\n 1\u00b0 PLACE Immobile (Motionless)<\/strong><\/p>\n by Edoardo Seminara<\/p>\n Motivation:\u00a0\u201cHe\u2019s been able to tell a great photo sto- ry with great stylistic coherence, he took advantage of the narrative potentiality of light, he set the sequence of images in places full of values and intimacy, and he depicted his subjects without stretching and with great spontaneity\u201d.<\/i><\/p>\n 2\u00b0 PLACE Fondi di caff\u00e8 (Coffee grounds)<\/strong><\/p>\n by Gianluca Bevacqua<\/p>\n Motivation:\u00a0\u201cFor his innovative ability and because he\u2019s been able to give life to an iconography able to be con- fronted with contemporary languages without losing sight of meaning and tradition of coffee. The idea of recondite meanings of coffee grounds is here described with light- ness and aesthetic coherence\u201d.<\/i><\/p>\n 3\u00b0 PLACE<\/span><\/p>\n Ricordi di famiglia (Family memories)<\/strong><\/p>\n by Lorenzo Cicconi Massi<\/p>\n Motivation:\u00a0\u201cHe collected a series of pictures with great emotional impact and has been able to put on situations of surreal character. He\u2019s been able to interpret the sug- gested topic with stylistic coherence, proposing different contexts that were anyway able to converse\u201d<\/i><\/p>\n
<\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<\/span><\/p>\n<\/span><\/p>\n