{"id":10000708,"date":"2015-03-01T09:00:55","date_gmt":"2015-03-01T08:00:55","guid":{"rendered":"http:\/\/thesignmoak.com\/?p=10000708"},"modified":"2018-03-22T22:57:43","modified_gmt":"2018-03-22T21:57:43","slug":"sicily-pink-simona-malato","status":"publish","type":"post","link":"https:\/\/thesignmoak.com\/en\/sicily-pink-simona-malato\/","title":{"rendered":"Sicily in pink. Simona Malato"},"content":{"rendered":"<p class=\"s20\">Native of Palermo, Simona Malato manages to overpass the boundaries of Trinacria and establishes herself as actress in the National panorama. She is used to cooperate with big brands of the film setting, such as Giuseppe Tornatore and Ra\u00f9l Ruiz, besides boasting an education of international appeal. She directed and performed the show \u201cInsomnia 6 a.m. Girl\u201d, winner of the best show (and she as best actress) at the TXT Blog Theater Festival of Graz (Austria). Since 2007, she\u2019s been actively on tour through Italy with her acting company Bogot\u00e1, with the aim of spreading theatrical art. We chatted with her and retraced the most significant landmarks of her artistic experience.<\/p>\n<p><em><strong>What was your first approach towards the world of theatre?\u00a0<\/strong><\/em><\/p>\n<p><span class=\"p\">I\u2019ll never finish approaching the theatre, getting intricated in its plots, getting lost and found again thanks to theatre. At the age of eighteen I dreamt of becoming a psychotherapist, I studied to become one. Then theory suddenly wasn\u2019t enough for me any longer. I found myself on\u00a0<\/span>a stage within a theatre, with lights, wings, a script. A world that didn\u2019t leave space for anything else.<\/p>\n<p><em><strong>Who was your mentor?<\/strong><\/em><\/p>\n<p>Intuitively I would say Palermo. Yes, a city, the city of my artistic birth. It often happened to experience it by night in the traffic of lives and cars, when I was half- awake, full when scorched by summer, and empty. This city adopted and looked after me, and here\u2019s where I had my encounters. The cruel and sweet poetry of a great Master like Franco Scaldati bedazzled me and gave me a \u201cvision\u201d, a point of view regarding art, reality and their passionate connection. Theatre always excites me, when it tells me stories that thread their way through inside of me. As if my body was full of sand and they would cut through, open by tracing paths. Mentor is whoever did this to me.<\/p>\n<p><em><strong>How much of your region of origin is included in the performances you put on stage?<\/strong><\/em><\/p>\n<p>I am Sicilian and I watch the world with this point of view; the one of a woman, who chose to live in her region and leaves every time she can, moving as far as possible, but cannot help coming back. I often dealt with performances where I played in my language of origin, which is Sicilian. A very sweet and elegant as well as direct and rough language. I\u2019m now teaching my daughters.<\/p>\n<p><span class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-10000597\" src=\"http:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/simona-malato.jpg\" alt=\"\" width=\"624\" height=\"800\" srcset=\"https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/simona-malato.jpg 624w, https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/simona-malato-234x300.jpg 234w, https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/simona-malato-450x577.jpg 450w, https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/simona-malato-468x600.jpg 468w\" sizes=\"(max-width: 624px) 100vw, 624px\" \/><\/span><\/p>\n<p><em><strong>What did it mean to work with a director of the likes of Giuseppe Tornatore?<\/strong><\/em><\/p>\n<p>A really pleasant experience. He, Tornatore, teaches a lot of his expertise simply with a look, with a word said to you, to the costume designer, to the photography director, to the staff, and I was like a sponge with open eyes and ears and senses within that dream machine called cinema.<\/p>\n<p><em><strong>Where does the idea of giving life to the acting company \u201cBogot\u00e1\u201d come from?<\/strong><\/em><\/p>\n<p>Bogot\u00e1 arises from a wish of independence, to continue projects that are transversal: theatre, education, and writing. It\u2019s a home where to go back to after journeys with other partners. It\u2019s a path parallel to other thousand ones.<\/p>\n<p><em><strong>Carmen Consoli, Emma Dante and Simona Malato, three Sicilian women in three different artistic roles: singer, director and actress.<\/strong><\/em><\/p>\n<p>On that occasion, I met Carmen, a beautiful artist, very funny and rich woman, on her concert introducing texts of another great, colourful and rough artist, Emma Dante. Their styles are so different but complementary at the same time, and intersected within my body. The work Emma asked me to do is very physical and extrovert: a Carmen Consoli concert in Opera houses all over Italy for an audience that is different from the one choosing theatre. The three women I performed are three small ex- plosions, like small pieces of Sicily.<\/p>\n<p><em><strong>Your future projects?<\/strong><\/em><\/p>\n<p>One in particular I do care about a lot is a project dedicated to new generations, an Antigone narrated to children. \u201cParole e Sassi\u201d (<i>Words and Stones<\/i>) is a projects edited by Letizia Quintavalle (Teatro delle Briciole in Parma) as for artistic direction. Three years ago, she wanted to build a collective of nineteen actresses that tell this tragedy to children, each in her own region.<\/p>\n<p><em><strong>Simona Malato and her relationship to coffee?\u00a0<\/strong><\/em><\/p>\n<p><span class=\"p\">Nocturnal! However, only together with my mother. In our family, there is a custom that astonished all of my friends, even those who are great coffee drinkers. At my mother\u2019s house\u00a0<\/span>you drink coffee before going to bed; after dinner, you talk and spend time together until late, even very late, and then it\u2019s time to make coffee again; one last thing before going to sleep.<\/p>\n<figure id=\"attachment_10000587\" aria-describedby=\"caption-attachment-10000587\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-10000587\" src=\"http:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/richard-III-Simona-Malato.jpg\" alt=\"\" width=\"800\" height=\"531\" srcset=\"https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/richard-III-Simona-Malato.jpg 800w, https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/richard-III-Simona-Malato-300x199.jpg 300w, https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/richard-III-Simona-Malato-768x510.jpg 768w, https:\/\/thesignmoak.com\/wp-content\/uploads\/2018\/03\/richard-III-Simona-Malato-450x299.jpg 450w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-10000587\" class=\"wp-caption-text\">A scene of the play\u00a0<i>Riccarrdo III<\/i><\/figcaption><\/figure>\n<p>Song suggested to read this article: <a href=\"https:\/\/www.youtube.com\/watch?v=ft_QUGjuyik&amp;feature=youtu.be\"><span class=\"s34\">Pink-O-Boogie &#8211; Ry Cooder<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Native of Palermo, Simona Malato manages to overpass the boundaries of Trinacria and establishes herself as actress in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10000600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[33],"tags":[90],"_links":{"self":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts\/10000708"}],"collection":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/comments?post=10000708"}],"version-history":[{"count":1,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts\/10000708\/revisions"}],"predecessor-version":[{"id":10000709,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/posts\/10000708\/revisions\/10000709"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/media\/10000600"}],"wp:attachment":[{"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/media?parent=10000708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/categories?post=10000708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesignmoak.com\/en\/wp-json\/wp\/v2\/tags?post=10000708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}